A marvelous new novel from the Pulitzer Prize winning author of The Lowland and Interpreter of Maladies--her first in nearly a decade.
Exuberance and dread, attachment and estrangement: in this novel, Jhumpa Lahiri stretches her themes to the limit. The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.
About the Author
JHUMPA LAHIRI is the author of four works of fiction: Interpreter of Maladies, The Namesake, Unaccustomed Earth, and The Lowland; and a work of nonfiction, In Other Words. She has received numerous awards, including the Pulitzer Prize; the PEN/Hemingway Award; the PEN/Malamud Award; the Frank O'Connor International Short Story Award; the Premio Gregor von Rezzori; the DSC Prize for South Asian Literature; a 2014 National Humanities Medal, awarded by President Barack Obama; and the Premio Internazionale Viareggio-Versilia, for In altre parole.
“Painterly… exquisitely detailed… [Lahiri’s] language seems to have been sieved through a fine mesh, each word a gleaming gemstone. Such expressive refinement perfectly embodies Lahiri’s narrator, who lives alone in an unnamed Italian city [and] examines her life in first-person vignettes… There is melancholy here, but these concentrated, poignant, and rueful episodes also pulse with the narrator's devotion to observation and her pushing through depression to live on her terms. She exalts in her lively neighborhood, in the country beneath skies as moody as she is, and by the tempestuous sea, all while recording her stealthy battle against her tendency to burrow into her shell. An incisive and captivating evocation of the nature and nexus of place and self.” —Donna Seaman, Booklist